C.N. Karunakaran

From the ‘Dancing Girl ’ of Mohenjo-Daro to today’s experimental canvases, the human body has remained art’s most vital subject; never only anatomical, but a vessel of memory, myth, and meaning. Grammar of Bodies continues this lineage through juxtaposing practices of C.N. Karunakaran (1940–2013) and Latheesh Lakshman. Karunakaran, a Madras...